This section currently features 178 prints for sale, prints of which at least one impression is to date still available.
These prints are divided into different sections: the school Period, etchings, engravings, lithographs and woodcuts.
Each print is described not only by the information in the catalog raisonné, but has a chronological numbering and a price.
Feel free to contact me (contact page) if you want me to give you additional information for a particular print, or if you simply want to purchase it.

Note 1: Several prints, inserted into the chronological order, carry the number of the previous print follow-up of letters a or b.
Note 2: This section will be updated in real time. You will also discover my new prints (Last updated: 10.07.2016). We have chosen to present the prints in groups of fifteen; simply click on the arrows to the left or right of the group presented on the screen to advance or return to the next or previous group. Clicking on any of the small images will bring up the image of the print in a larger format with a complete description of the work. You can, at this stage, click again on the image to show it in full screen.


« I realised my first print in 1965 in the workshop of Mauricio Lasansky at the University of Iowa. It was a simple etching and aquatint, but I wanted my next print to be a greater challenge, so I started to engrave a lobster with the burin; I considered it as being the first print appearing on my catalog raisonné. While making this print, I wore down several burins in the process of trying to always keep my tool sharp. Most prints at that time were inspired by my work in the medical anatomy lab. my preferred techniques were etching, soft ground varnish and occasionally, the burin to strengthen the lines. »

This section contains 11 prints, produced over a period of 4 years, between 1966 (No. 1 of C.R.) and 1969 (No. 12 of C.R.).
It consists only of prints in mixed techniques: etchings, aquatints and engravings. Those of you who wish should refer to the "Glossary" section to read a more complete description of these techniques, most often used in the art of gravure.

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